Telling the story of a collection of art is a magnificent task.

By its very nature, each collection conceals interpretations and stories that vary depending on individual taste, and that are often colored by chance events or by historical variables that over time, imbue the artwork with value and meaning.


This brings us to the story of the Ekilibrio Foundation’s art collection.
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  • Piero Dorazio

    Parade
    1965
    110 x 170 cm
    Oil painting on canvas
  • Nunzio

    Untitled
    1992
    126 x 156 x 12 cm
    Combustion on wood and iron
  • Pablo Atchugarry

    Sculpture
    2006
    70 x 50 X 31 cm
    Carrara white marble
    Pablo Atchugarry | Sculpture | 2006 | 70 x 50 X 31 cm | Carrara white marble
  • Sara Campesan

    Circular Image
    1965
    92 x 92 cm
    Painted canvas, wood and perspex
    Sara Campesan | Circular Image | 1965 | 92 x 92 cm | Painted canvas, wood and perspex
  • Christo

    Wrapped trees -Champs Elysèes
    1969
    71 x 56 cm
    Pencil, crayon, polythene, photography, map
    Christo | Wrapped trees - Champs Elysèes | 1969 | 71 x 56 cm | Pencil, crayon, polythene, photography, map
  • Cèsar Paternosto

    Three Yellows II Tanita to my love
    1975
    61 x 61 x 4.8 cm
    Acrylic on canvas mounted on board
    Cèsar Paternosto | Three Yellows II Tanita to my love | 1975 | 61 x 61 x 4.8 cm | Acrylic on canvas mounted on board
  • Ricardo Pascale

    From the vulture III
    2006
    56x60x17 cm
    Wood
    Ricardo Pascale | From the vulture III |2006 | 56x60x17 cm | Wood
  • Paolo Minoli

    Transfigured
    1983
    120 x 120 cm
    Acrylic on canvas
    Paolo Minoli | Transfigured | 1983 | 120 x 120 cm | Acrylic on canvas
  • Gianfranco Pardi

    Architecture
    1973
    100 x 100 cm
    Acrylic, aluminum and cables on canvas
    Gianfranco Pardi | Architecture | 1973 | 100 x 100 cm | Acrylic, aluminum and cables on canvas

Ekilibrio
Foundation

Collection


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ADDITIONAL SPACE. THE STORY OF A COLLECTION
The historical period in question is an abstract interpretation of the 20th Century, driven by the ideals of clarity and synthesis. In the wake of certain historical assumptions, these ideals take shape in the search for a minimalist expression aimed at minimizing the semantic value of the work as much as possible.