ekilibrioFoundation-collection

Telling the story of a collection of art is a magnificent task.

By its very nature, each collection conceals interpretations and stories that vary depending on individual taste, and that are often colored by chance events or by historical variables that over time, imbue the artwork with value and meaning.

This brings us to the story of the Ekilibrio Foundation’s art collection.
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  • Pablo Atchugarry

    Spatial transparency
    2006
    205 x 129 x 72 cm
    Carrara white marble
    Pablo Atchugarry | Spatial transparency | 2006 | 205 x 129 x 72 cm | Carrara white marble

  • Gianfranco Pardi

    Hanging garden
    1969
    120 x 100 cm
    Enamel on wood applied to metal
    Gianfranco Pardi | Hanging garden | 1969 | 120 x 100 cm | Enamel on wood applied to metal

  • Max Bill

    Transcoloration aus grün
    1972 - 1973
    62 x 62 cm
    Oil painting on canvas
    Max Bill | Transcoloration aus grün | 1972 - 1973 | 62 x 62 cm | Oil painting on canvas

  • Luigi Veronesi

    Composition M2
    1971
    60 x 40 cm
    Tempera su masonite

  • Valerio Adami

    Valerio Adami
    Lo Zufolo
    1995
    198x146
    Acrilic on canvas

  • Marcello Morandini

    Project n. 340
    1984
    100 x 100 x 5 cm
    Lacquered wood
    Marcello Morandini | Project n. 340 | 1984 | 100 x 100 x 5 cm | Lacquered wood

  • Enrico Baj

    Character
    1956
    42 x 52 cm
    Oil, collage, wadding and cloth glass
    Enrico Baj | Character | 1956 | 42 x 52 cm | Oil, collage, wadding and cloth glass

  • Juan De Andreis

    Juan De Andreis
    AR_02_AF
    75x70x8
    Acrilic on wood on canvas

  • Pablo Atchugarry

    Untitled
    1978
    92 x 127 cm
    Oil on the table
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Ekilibrio
Foundation

Collection

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ADDITIONAL SPACE. THE STORY OF A COLLECTION
The intrinsic value of each piece is heightened by the value it brings to the whole of the collection.
The historical period in question is an abstract interpretation of the 20th Century, driven by the ideals of clarity and synthesis. In the wake of certain historical assumptions, these ideals take shape in the search for a minimalist expression aimed at minimizing the semantic value of the work as much as possible.