Telling the story of a collection of art is a magnificent task.

By its very nature, each collection conceals interpretations and stories that vary depending on individual taste, and that are often colored by chance events or by historical variables that over time, imbue the artwork with value and meaning.


This brings us to the story of the Ekilibrio Foundation’s art collection.
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  • Gino Morandis

    Front and back composition
    1970
    100 x 100 cm
    Mixed technique on wood
    Gino Morandis | Untitled | 1960 | 98 x 132 cm | Oil painting on canvas
  • Arturo Bonfanti

    I509
    1972
    90 x 108 cm
    Oil painting on canvas
    Arturo Bonfanti | I509 | 1972 | 90 x 108 cm | Oil painting on canvas
  • Nunzio

    Untitled
    1992
    126 x 156 x 12 cm
    Combustion on wood and iron
  • Carlo Nangeroni

    Projections
    1971
    80 x 80 cm
    Acrylic on canvas
    Carlo Nangeroni | Projections | 1971 | 80 x 80 cm | Acrylic on canvas
  • José Costigliolo

    Rectangles
    1968
    68 x 68 cm
    Acrylic on canvas
    José Costigliolo | Rectangles | 1968 | 68 x 68 cm | Acrylic on canvas
  • José Costigliolo

    Rectangles in light blue and white
    1965
    100 x 100 cm
    Oil painting on canvas
    José Costigliolo | Rectangles in light blue and white | 1965 | 100 x 100 cm | Oil painting on canvas
  • Arcangelo Sassolino

    The usual things
    2004
    245 x 60 x 60 cm
    Steel and rubber balls
    Arcangelo Sassolino | The usual things | 2004 | 245 x 60 x 60 cm | Steel and rubber balls
  • Manuel Espinosa

    18 variations on the same theme
    1968
    125 x 125 cm
    Oil painting on canvas
    Manuel Espinosa | 18 variations on the same theme | 1968 | 125 x 125 cm | Oil painting on canvas
  • Christo

    Wrapped trees -Champs Elysèes
    1969
    71 x 56 cm
    Pencil, crayon, polythene, photography, map
    Christo | Wrapped trees - Champs Elysèes | 1969 | 71 x 56 cm | Pencil, crayon, polythene, photography, map

Ekilibrio
Foundation

Collection


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ADDITIONAL SPACE. THE STORY OF A COLLECTION
The historical period in question is an abstract interpretation of the 20th Century, driven by the ideals of clarity and synthesis. In the wake of certain historical assumptions, these ideals take shape in the search for a minimalist expression aimed at minimizing the semantic value of the work as much as possible.