ekilibrioFoundation-collection

Telling the story of a collection of art is a magnificent task.

By its very nature, each collection conceals interpretations and stories that vary depending on individual taste, and that are often colored by chance events or by historical variables that over time, imbue the artwork with value and meaning.

This brings us to the story of the Ekilibrio Foundation’s art collection.
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  • Christo

    Sidney Harbour Bridge
    1969
    71 x 56 cm
    Pencil, crayon, string, polythene, photography, map
    Christo | Sidney Harbour Bridge | 1969 | 71 x 56 cm | Pencil, crayon, string, polythene, photography, map

  • Sandro De Alexandris

    Interior II
    1991
    145 x 100 cm
    Mixed technique on wood
    Sandro De Alexandris | Interior II | 1991 | 145 x 100 cm | Mixed technique on wood

  • Piero Dorazio

    Parade
    1965
    110 x 170 cm
    Oil painting on canvas

  • Luigi Veronesi

    KF 4
    1991
    120 x 100 cm
    Oil painting on canvas

  • Verónica Vázquez

    Sculpture
    2008
    270 x 100 cm
    Iron
    Verónica Vázquez | Sculpture | 2008 | 270 x 100 cm | Iron

  • Mario Ballocco

    Color reversibility
    1977
    50 x 50 cm
    Acrylic on canvas
    Mario Balocco | Color reversibility | 1977 | 50 x 50 cm | Acrylic on canvas

  • Max Bill

    Transcoloration aus grün
    1972 - 1973
    62 x 62 cm
    Oil painting on canvas
    Max Bill | Transcoloration aus grün | 1972 - 1973 | 62 x 62 cm | Oil painting on canvas

  • Mimmo Rotella

    Untitled
    1962 - 1963
    32 x 36 cm
    Décollage on canvas
    Mimmo Rotella | Untitled | 1962 - 1963 | 32 x 36 cm | Décollage on canvas

  • Claudio D’Angelo

    Claudio D'Angelo
    Progetto di spazio
    100x180
    Acrilic on canvas
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Ekilibrio
Foundation

Collection

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ADDITIONAL SPACE. THE STORY OF A COLLECTION
The intrinsic value of each piece is heightened by the value it brings to the whole of the collection.
The historical period in question is an abstract interpretation of the 20th Century, driven by the ideals of clarity and synthesis. In the wake of certain historical assumptions, these ideals take shape in the search for a minimalist expression aimed at minimizing the semantic value of the work as much as possible.